Proměny nahrávací činnosti v oblasti klasické hudby v první čtvrtině 21. století na příkladu vybraných českých subjektů

This master's thesis examines the transformations in classical music recording practice during the first quarter of the 21st century, focusing on selected Czech entities. The aim is to identify the primary motivations of musical ensembles for undertaking recording projects and to analyse the impact of digital transformation on the economic and procedural aspects of the industry. The theoretical part maps the historical evolution of sound recording, technological developments, and the specificities of the classical music market, including the legislative framework. The practical part is based on qualitative research conducted through semi-structured interviews with representatives of orchestras, choirs, chamber ensembles, and record labels. Data were processed using thematic coding and supplemented by a questionnaire survey. The research findings indicate that recording practice is economically unprofitable in the current market environment; however, it remains a priority for the entities involved as an essential tool for building artistic legacy, prestige, and strategic marketing. The thesis also clarifies the transformed role of physical CDs, which in the digital age serve primarily as representative artifacts for key stakeholders and sponsors.